Trayle, M. (1999). Free enterprise: Virtual capital and counterfeit music at the end of the century. Leonardo Music Journal, 9, 19-22.
How does a piece of computer network music reflect the virtual economy of the late twentieth century? Was the “open-form” music of the 1960s a bedfellow of organizational science? The author conjectures about the nature of distributed composition and the socioeconomic implications of its application in a composition for networked credit card readers.
