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Boyle, J. (2003). Foreword: The Opposite of Property? Law and Contemporary Problems, 66, 1-32. In November of 2001, Duke University School of Law held a conference on the public domain; the “outside” of the intellectual property system, the mate- rial that is free for all to use and to build upon. 1 So far as we [...]         Bowers, C. A. (2006). Revitalizing the Commons: Cultural and Educational Sites of Resistance and Affirmation. Oxford: Lexington Books. The threats to what remains of the world’s diverse cultural and environmental commons represent a unique challenge to Western universities, particularly since what these universities have designated as high-status knowledge has played such a dominant role in undermining [...] Bollier, D. (2005). Brand-name Bullies: The Quest to Own and Control Culture. Hoboken, N.J.: J. Wiley. Product Description If you want to make fun of Mickey or Barbie on your Web site, you may be hearing from some corporate lawyers. You [...] Blois, K., & Mandhachitara, R. (2002). Counterfeit software in Thailand: Controlling supply in an embedded system. Journal of Asian Business, 18. The supply of counterfeited goods is large and growing worldwide, though the production and consumption of such items is particularly prevalent in Southeast Asia. Based on a survey this paper describes the supply and marketing [...] Byers, S., Cranor, L.F., Cronin, E., Korman, D., & McDaniel, P. (2004). An analysis of security vulnerabilities in the movie production and distribution process. Telecommunications Policy, 28, 619-644. Unauthorized copying of movies is a major concern for the motion picture industry. While unauthorized copies of movies have been distributed via portable physical media for some time, [...] Butler, K. C. (1998). Keeping the World Safe from Naked-Chicks-in-Art Refrigerator Magnets: The Plot to Control Art Images in the Public Domain through Copyrights in Photographic and Digital Reproductions. Hastings Communications and Entertainment Law Journal, 21, 55-127. What the modern means of reproduction have done is to destroy the authority of art and to remove it [...] |
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